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Janitz had the freedom to respond to what fascinated him about Anahuacalli: the colors
Publisher: Hatje Cantz
and today in Berlin
the publication shows a large selection of pictures and works on paper from this period
sculptures
Untitled 2025_Johanna Dumet_NAVE Janitz had the freedom toAbout the work The simplicity of the forms is disrupted by a deceptive sense of casualness: the contours of the strokes remain blurred, the spacing between the lines is irregular, splatters and smudges of paint are visible, and the character of the brushstroke is clearly pronounced. As a result, what emerges is hardly a grid in the classical sense, one that imposes order or structure upon the canvas. Rather, it appears as a framework generated by the
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